Guide, updated August 2026
Using keyframes for basic motion, without overdoing it
Keyframes are one of the more powerful tools in Edits, and also one of the easiest to overuse once you realize what they can do.
A keyframe just marks a specific point in time where something, position, rotation, or scale, has a set value. Add two keyframes with different values and Edits fills in the motion between them automatically. That's the whole concept. The skill is in deciding when that motion actually helps the video instead of just being there because it was possible.
Start with a slow push-in
The simplest useful keyframe move is a gentle zoom over a static clip, sometimes called the Ken Burns effect. Set a starting scale at the beginning of a clip and a slightly larger scale a few seconds later. Keep the change small. A subtle push adds life to a static shot. An aggressive one looks like a mistake.
Animating text on and off screen
Rather than having a caption or label just appear and vanish, keyframing a small position shift, sliding in from just off-frame and settling into place, gives text a bit more polish without needing a fancy preset. Keep the movement short, well under a second, so it doesn't slow down the pacing of a fast edit.
The mistake almost everyone makes early on
Once keyframes click, it's tempting to add motion to everything: every clip zooming, every piece of text sliding, every element doing something. Watched back to back, this reads as busy rather than polished. Pick one or two moments per video where motion actually earns its place, usually a hook at the start or a specific beat you want to emphasize, and leave the rest of the edit still.
Match the motion to the music
If you're cutting to a beat, timing a keyframed move to land on that beat makes it feel intentional rather than arbitrary. It's a small detail, but it's usually the difference between motion that feels designed and motion that feels like it was just added because the tool was there.
When to skip keyframes entirely
Not every video benefits from added motion. A talking-head clip where the value is entirely in what's being said rarely needs anything moving in the background. If you find yourself adding a keyframe and can't explain what it's doing for the video, that's usually a sign to remove it.